This book shares different pedagogical approaches to drawing letterforms at the beginning of the 21st century and questions the deeply paradoxical nature of this specific drawing practice.

This books presents and questions places, here called infinite places—“infinite” because they are open to possibilities, possess potential, and are unfinished—through ten examples which embody the new forms and experimentations of french architecture. Published for the Venice Biennale of Architecture.

The second issue of the magazine Back Office deals with the notions of indexation, sorting and representation of digital data. Edited by Kévin Donnot, Élise Gay & Anthony Masure.