{"id":28297,"date":"2014-08-01T10:04:16","date_gmt":"2014-08-01T08:04:16","guid":{"rendered":"https:\/\/editions-b42.com\/produit\/the-secretary-blouse-en\/"},"modified":"2014-08-01T10:04:16","modified_gmt":"2014-08-01T08:04:16","slug":"the-secretary-blouse-en","status":"publish","type":"product","link":"https:\/\/editions-b42.com\/en\/produit\/the-secretary-blouse-en\/","title":{"rendered":"THE SECRETARY BLOUSE"},"content":{"rendered":"<p>In choosing, in conjunction with Les Abattoirs Frac-Midi-Pyr\u00e9n\u00e9es, to produce a hybrid work, a catalogue\/disc, for his exhibition \u201cThe Secretary Blouse\u201d, Armand Jalut shows how a soundtrack can be relevant to the appreciation of his paintings. The hypothesis of this text, preface to a musical and critical object, is that it is not intended to be an accompaniment. Like the written contributions here by Julien Fronsacq, the four pieces by Nicolas Dubosc are a commentary on the paintings, an extension or a description such as a text might provide. The strangeness of the mechanical ballet depicted in Jalut\u2019s paintings lies more in the organic arrangement of the machines than in a rational and engineered vision of the world: the banana that grows in the machine, its sweet, tropical scent becoming encrusted on the cold steel; the seagull\u2019s eye with its human character, that of instinctive and animal urges.<br \/>\nThe works recorded on this vinyl disc are similarly combined and interlocked. Their composition and execution emerged through dialogue with the artist. If they had been intended as a \u201ccatalogue text\u201d, the form would have been that of an interview. They convey the same mood of domestic and ironic exoticism as is present in Armand Jalut\u2019s paintings.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>In choosing, in conjunction with Les Abattoirs Frac-Midi-Pyr\u00e9n\u00e9es, to produce a hybrid work, a catalogue\/disc, for his exhibition \u201cThe Secretary Blouse\u201d, Armand Jalut shows how a soundtrack can be relevant to the appreciation of his paintings. The hypothesis of this text, preface to a musical and critical object, is that it is not intended to [&hellip;]<\/p>\n","protected":false},"featured_media":25028,"template":"","meta":{"_acf_changed":false,"_seopress_robots_primary_cat":"none","_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":""},"product_brand":[],"product_cat":[503,674,491,680,693,570,602,611],"product_tag":[],"class_list":{"0":"post-28297","1":"product","2":"type-product","3":"status-publish","4":"has-post-thumbnail","6":"product_cat-jalut-en","7":"product_cat-art-en","8":"product_cat-auteurs-en","9":"product_cat-livre-en","10":"product_cat-livres-revues-en","11":"product_cat-fronsacq-en","12":"product_cat-dubosc-en","13":"product_cat-michelon-en","15":"first","16":"instock","17":"taxable","18":"shipping-taxable","19":"purchasable","20":"product-type-variable"},"acf":[],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/editions-b42.com\/en\/wp-json\/wp\/v2\/product\/28297","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/editions-b42.com\/en\/wp-json\/wp\/v2\/product"}],"about":[{"href":"https:\/\/editions-b42.com\/en\/wp-json\/wp\/v2\/types\/product"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/editions-b42.com\/en\/wp-json\/wp\/v2\/media\/25028"}],"wp:attachment":[{"href":"https:\/\/editions-b42.com\/en\/wp-json\/wp\/v2\/media?parent=28297"}],"wp:term":[{"taxonomy":"product_brand","embeddable":true,"href":"https:\/\/editions-b42.com\/en\/wp-json\/wp\/v2\/product_brand?post=28297"},{"taxonomy":"product_cat","embeddable":true,"href":"https:\/\/editions-b42.com\/en\/wp-json\/wp\/v2\/product_cat?post=28297"},{"taxonomy":"product_tag","embeddable":true,"href":"https:\/\/editions-b42.com\/en\/wp-json\/wp\/v2\/product_tag?post=28297"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}